Meet the Cutters - a blue collar, Midwestern family determined to keep their oil company alive amidst Ohio's aggressive oil boom.

In Igor Smola’s speculative eco-doc, the pumpjacks, pipes and coolers that extract oil from the earth seem to speak directly to the viewer, narrating their experiences of harvesting the fuel upon which humans have become so critically dependent. Drawing on the thoughts of philosopher Reza Negarestani, My Name is Oil presents the substance as a metaphysical entity with seemingly mystical qualities, channelling the spirits of the many plants and animals whose decay has facilitated the creation of this apparently miraculous material. Capable of seeing the future, the rig’s machinery attempts to alert its human operators to a looming disaster, but caught up in their business — and distracted by the camera — the workers whose lives hang in the balance seem unable to tune into their frequency.

该剧以顶尖癌症医院为背景，讲述了为治疗疑难杂症患者、强调人类尊严和正义而奔走的吸血鬼医生的成长故事，由朴在范导演和《Good Doctor》剧组时隔2年再次合作，令观众期待是否能打造出如《Good Doctor》般的经典医学类作品。　　　　《Blood》从选角开始就备受瞩目。凭借《来自星星的你》、《你们被包围了》、电影《时尚王》活跃在影视剧圈的安宰贤将挑大梁扮演朴智尚一角，是个压抑、控制对鲜血的渴望的吸血鬼医生。他外表虽冷漠、无情，但实则内心充满伤痛，怀念作为人的日子。当他邂逅刘丽塔后逐渐转变成一切为患者考虑的“Dark Surgeon”。　　　　具惠善饰演无子女的太民集团会长的侄女、为继承医院回到癌症医院工作的刘丽塔，是个17岁就考入医学院的天才，又有着令人羡慕的来自豪门的权势和财富的富家女角色，但因为性格过去活泼开朗被人误会为傲慢、目中无人。具惠善一改往日楚楚可怜的形象，将大展明朗魅力。　　　　池珍熙扮演外貌出众、实力超凡、待人亲和、善于社交、精于政治的院长李宰旭，是个能让任何人都信服自己却又暗藏逆神欲望、为一己私欲不惜一切代价的残忍人物。出道16年的池珍熙将如何演绎反派医生让我们拭目以待。

《Blood》以国内顶尖癌症医院为背景，讲述了在国内顶尖的癌症中心为治疗癌症患者和守护生命尊严而孤军奋战的一名吸血鬼外科医生朴志尚（安宰贤饰）的成长…

暂无剧情简介

CONFUSED BLOOD (혼혈) explores the dichotomous reality of navigating belonging for mixed-race people. The short film details the experience of a half-Korean, Richar, living in Seoul and his search for belonging within Korea’s society and culture.

暂无剧情简介

On the border between Western Sahara and Morocco, silence crosses the sands and night becomes day. Stillness and movement. People, birds, clouds, turn into ruins on the journey of refuge. Fifty years, and then?

Corrupted Blood is a digital archaeological study that examines the infamous digital plague from World of Warcraft. In the game, a contagious bug known as corrupted blood spread rapidly among players’ avatars, creating chaos and unforeseen challenges for the virtual community. This work employs Unreal Engine and machinima techniques to reconstruct the digital aftermath, inviting viewers to navigate the overlooked backstage of game development. By revisiting the digital ruins—termed Fallen Blood—the piece charts a journey through a space once overwhelmed by a viral outbreak and subsequently purged through debugging. The work interrogates how cyberspace is mapped and redefined when digital catastrophe strikes. It also connects the impersonal, gamified portrayal of death with broader reflections on mortality, especially against the backdrop of our post-epidemic era. Through its synthesis of digital art and archival inquiry, Corrupted Blood prompts us to reconsider the relationship between virtual existence and physical life, asking how technology reshapes our understanding of life, death, and the spaces that exist between.